The Healing Power of Makeup, Makeup Therapy, or,
Makeup Is A Matter of Life and Death
...If faces were different when lit from above or below - what was a
face? What was anything?...
William Golding, Lord of the Flies
My title is only partly facetious. It is a take on the idea that
makeup and concern with appearance is 'superficial'. Certainly there
are evolutionary explanations or possibilities than include more
than that modern advertisers exploit women with no powers of analysis
to make purchases they don't really need?
If you discovered that applying makeup reduced your anxiety when in
public situations, would you prefer to try to get a presciption for
antianxiety medication that would cost more and probably negatively
affect your sexual functioning? If anxiety is a significant issue in
your life, your approach to it and the options you consider will have
a lot to do with your genes, your experiences and upbringing, and the
society in which you live.
When a person is depressed, does she always look lacklustre, do her
eyes look less clear, does she seem really present? Is she as
conscious of her surroundings and the people around her as others
are?
My experimenting through the years could hardly be called scientific,
but it is considerably more extensive than the experience of others
who have never worn makeup, who always wear the same kind, who have
never tried different hair colours, strange styles of dressing, or
who have never shaved their heads.
Scarily enough, during a year in which I wore no makeup, pulled my
hair off my face with an elastic (my only attempt at styling) and
wore nothing but leggings and an oversize sweatshirt, my appearance
might have negatively impacted my psychiatric diagnosis. I had
decided at age 22 that I was too dependent on makeup, and I made a
conscious decision to try to go without it. It was actually a
conscious, 'mentally healthy' and even feminist choice, but I think
in a psychiatric setting that this may have been misinterpreted as
lack of concern with my appearance. Unfortunately, I was not allowed
to talk to the doctor long enough to clear up my point of view, and
when I tried, he ridiculed and dismissed me.
...She stood contemplating herself arrayed for no peaceful or
trusting encounter with life...
Anaïs Nin, A Spy in the House of Love
When I started wearing makeup again, my father actually commented
that my eyes looked clearer. I was not less depressed, I was just
wearing mascara and eyeliner. I was actually more depressed, because
after my scary hospitalization, I was now living on welfare. I was
now obsessed with suicide, and every time I went to pick up my
cheque, I dropped an extensive suicide note into the trash outside
the social services building.
I admit that through the years I have very often relied on makeup,
clothes and hairstyles to help relieve my anxiety when in public.
Sometimes this has been accomplished by trying to pass for normal,
and sometimes through self-expression, through trying to express
on the outside that I am not normal. It is at times a protection,
but I don't think of it as a disguise. I am trying with
varying degrees of success to express something internal externally.
That is not to say that I don't feel physically ugly or disgusting,
but my focus is on trying to make the most of my good points, while
trying to express what is different about me. When I try to pass for
normal, I tend to feel that I am copping out.
...They understood only too well the liberation into savagery that
the concealing paint brought...
William Golding, Lord of the Flies
Concealing or revealing? Everyday makeup partly represents the
pressure of civilization. You conceal your savagery while exposing
hints of it. What I call 'face dancing' (photos which represent it
appear throughout my websites) is about imagination, fantasy and fun.
I think it helps me to access the unconscious. I did not always see
it that way, tending to feel somewhat embarrassed about it, as if it
was a weird thing to do, or demonstrated excessive vanity. I think
it's about expression. It's about tapping into hidden parts,
(including the primitive past and current aggression) and trying to
explain more of the story. It's also a compensatory behaviour - I
think it is about a need for social interaction, and how I adapted to
being alone. It's like carrying on conversations with imaginary
friends - through facial expressions. But it is also about how the
power of image affected me, and my own attempts to find or create my
own image. What I have found is that I cannot honestly create a
consistent image. No one image is the image that sums me
up.
...Her first expression was one of tension, which was not beauty.
Just as anxiety dispersed the strength of the body, it also gave to
the face a wavering, tremulous vagueness, which was not beauty, like
that of a drawing out of focus.
Slowly what she composed with the new day was her own focus, to bring
together body and mind. This was made with an effort, as if all the
dissolutions and dispersions of herself the night before were
difficult to reassemble...
Anaïs Nin, A Spy in the House of Love
I tend to feel angry or irritated when people say that a depressed
person seems to be 'not all there', or 'dull', especially if the
people saying it have a tendency to reward or admire a kind of
hyper-positiveness that reminds me of collective
blindness/brainwashing and mutual ass-kissing rather than individual
vitality and authenticity.
Many people adopt the fashions in clothing and makeup because they
are just doing what they are programmed to do - take steps in the
process of breeding. But if you do not want to get married or breed,
you may still have a strong wish to have sex, and to have
relationships in which you connect emotionally and get a chance to
express various parts of your intelligence and creativity. Wearing
certain things (and using makeup) may act as a signal that you
are receptive to sexual advances, especially if you are not so
naturally beautiful, attractive or vivacious in personality that it
is easy to find partners.
In my preoccupations with clothing, I have never sought to be
'fashionable'. If anything, I wanted to outwardly look more unusual
than someone who fits into regular society - as a way of
'advertising' accurately. It is interesting that sometimes when I
have tried to warn people that I hate my clothes, it is because I
know I will look too 'normal' and that this will influence their
assessments of who I am as a person. When I pass for normal, I think
it sometimes relieves anxiety, makes it easier to deal with the
public, but I tend to think of this as a copout, and I would like for
people to understand this about me.
People who 'don't care at all' or who don't make any effort at all
with clothes, who just choose the first thing they see - I realize
that consciously their self-concept revolves around not being
affected by the superficial, or by appearances, but I think we all
face the pressures of the superficial constantly, and those who cope
well or who do not care, might have early on found some personal
identity and position in life they liked, and so for them the process
was not as conscious or difficult, but unconsciously, the adoption of
their stance might have been far from simple - it may have been
influenced by many things in their upbringing, background and
personal genes.
...Besides the prime function of covering the body, it has two other
offices - that it creates beauty for the eye, and that it attracts
the admiration of your sex. Since marriage until the year 1919 - less
than twenty years ago - was the only profession open to us, the
enormous importance of dress to woman can hardly be exaggerated. It
was to her what clients are to you - dress was her chief, perhaps her
only, method of becoming Lord Chancellor. But your dress in its
immense elaboration has obviously another function. It not only
covers nakedness, gratifies vanity, and creates pleasure for the eye,
but it serves to advertise the social, professional, or intellectual
standing of the wearer...
Virginia Woolf, Three Guineas
"advertisement" function is key, when it comes to
clothing.
Woolf explains how men have ribbons, medals, wigs, braids, buttons,
with particular meanings that convey power, status and the
like.
Woolf was suggesting that women refuse to participate in this kind
of competitiveness and status-seeking.
I guess what we have now is a kind of makeup arms race: most women
wear it, not just to be atttractive, but also in order to succeed in
the workplace, and to fit into society, and now even average people
are seeking out cosmetic procedures with increasing frequency, and so
those who say enough of it, it is ridiculous, it creates too much
mess and stress, let's focus on what's really important in life - not
appearances - have to be very strong, not just radical, subversive,
in order to handle all the pressure society inflicts on women with
regards to their appearance.
But what if appearances are more important than people
realize? Can all biological pressures and imperatives be overcome
by consciously chosen morality? Is such morality really completely
consciously chosen?
There are signs that men are facing increasing pressure regarding
their appearance, but there is still nothing resembling equality
between men's and women's situations when it comes to appearance and
attracting mates.
Pandering to men's predisposition for visual stimuli does nothing to
change the situation, but what is the alternative? Insisting that men
become attracted to women's minds or 'souls'? How do we go about
that? JUST STOP WEARING MAKEUP, for a start? The issue is difficult
to resolve. If you think you have only one life to live, and if you
are female you have only a limited amount of time in which you can be
considered a sexual and desirable being, isn't it kind of
understandable that you'd want to take advantage of that while you
could? And that it would be a difficult thing to give up? You
might be able to have an ongoing sex life as you age if you
are not physically attractive but are intellectually attractive, but
to me it seems that with the pressure of constant images on the
internet and in other media, regular women cannot really be seen or
desired in a similar way.
If you can realistically assess yourself as not having a lot of
chances unless you make an effort to draw attention to your best
features, is it rational not to make use of the tools available in
your environment?
The point many feminists tried to make was that any change to try
to make the raw material look more like the ideal is about being a
slave to men's desires and ideas about sexuality, rather than trying
to find and express your own sexuality. If you choose to use the
available tools in your environment to express an alternative
sexuality, that is not really about catering only to men. However, it
can be difficult to figure out to what extent you are affected by
cultural norms. Also, makeup, clothing and hair issues are not just
dictated by the desires of men. In the workplace, showing a
'professional' image will give you a better chance than your skills
alone, and gaining the approval of other women is also a signficant
part of our social functioning. Life is highly competitive, and it
may be difficult to avoid seeing that it is necessary to take
advantage of whatever tools are available to increase one's chances
- survival may depend on one's ability to do so.
In many personal ads, it appears that men are seeking women who are
DTE and who have a GSOH. (Down to earth, good sense of humour). I
think this translates as: no drama queens please! Many of these men
list their interests as fishing and camping. Makeup really doesn't
make sense in these settings. When I have participated in these
activities in the past, what I have found is that there is actually
social/peer pressure to not wear makeup. If you do, you are
exhibiting unappealing character traits. It doesn't matter if (some
of) the other women there are going without makeup in order to please
men, or to be seen as DTE, GSOH - although most of them won't realize
this consciously - in fact, most women do not at all understand the
extent to which their entire personalities have been based upon being
appealing to men, whatever it takes (including that they are
seamlessly adaptable to the circumstances, never as irritating or
high maintenance as other women). My thinking is that on my part it
is better not to give the impression that I am DTE, GSOH - in the
ways most people are looking for - because that would be false
advertising.
Some women do not wear makeup for moral, philosophical, political,
environmental or feminist reasons. It takes courage to go against the
norm. I respect those who take a stand against wearing makeup for
their own convictions, but don't like the self-righteousness with
which they sometimes dismiss others who do not hold the same
convictions. However, in some cases, part of their (unconscious)
motivation may be fear related to competition. They may fear that
this is an area in which they will not excel, so they avoid it. It is
not easy to choose from all the tools available, and to have the
skill and creativity to know which will work best with the raw
material. And in some cases, if no advantage can be gained by using
makeup, it doesn't really make sense to use it. Part of being
'superficial' would be in not examining the possible evolutionary and
unconscious reasons makeup makes sense, and is a proactive solution,
at least for some people.
Finally, I would ask the men and women who find makeup gross because
it is 'messy' how they cope with the smells and excretions that occur
during sex? I guess it could be argued that the latter are 'natural'
and designed by nature to attract us, whereas makeup is 'unnatural',
and designed to manipulate us into thinking our natural state is
repulsive and that we need to buy products to correct this. In that
case, I see the point, but...
To me, pretty much everything is 'natural'. When people speak of
nature, it is very often as if they are focusing only on the 'beauty'
of the surface of nature, or only on parts of the world in which no
humans live. Every day in 'nature' there is a brutal struggle for
existence. Competition is about each creature trying to take
advantage of whatever they can in the struggle for existence. When it
comes to human beings, this competition has resulted in the
complexity of modern societies. The tools, products, services
available to human beings represent the fierce nature of competition -
everyone tries to provide something that others can't, or to provide
a better version. If you don't make an effort to sell yourself, you
may not be chosen. You may not survive. It's one thing if due to your
own principles you refuse to 'sell yourself', but it doesn't
necessarily mean that anyone will recognize your integrity - if you
don't find some way of drawing attention to it. Life can be very
lonely, especially if the genetic lottery hasn't resulted in a
combination of looks and personality/personal gifts that easily
attracts others. When that is the case, it makes sense to explore
your options.
I don't really want to give up makeup. Maybe it's the ritual of
putting it on more than anything else, but I think that even if I
am not physically attractive to others, makeup is an important part
of accessing imagination and fantasy, and might help to make me more
sexually responsive.
[Added 21/07/11, a few more thoughts:]
1. I think that when people believe the 'truth' of who a person is
relates to how they look without makeup, it signifies a perhaps
unconscious belief that genes are destiny. Using makeup is not
necessarily about denying the reality of the effects of genes - it
can be about intent to use available tools and
resources to enhance or make the most of the raw material, in a way
that expresses one's own personality and creativity (attempting to
express more of the internal personality externally.)
2. If a person has been abused by someone with similar features and
has negative associations with those features, one possible positive
step to take is to use the tools available to alter those features,
or take a stand in this way for the sake of psychological health.
3. Men have as much a right to wear makeup, whether 'natural',
dramatic, or whatever, as women. I like it when men wear
makeup.